Saturday, May 7, 2011

The Finder Library Volume One

You know how you’re aware of certain things, but you’re not really ‘aware’ of them.
There are a lot of comics (both in print and web form) out there. A LOT.
So it is pretty easy to overlook stuff. Maybe because you just don’t know quite enough about some projects or you think you know enough but you really don’t, so you end up not really paying attention to a lot of stuff.
And in a lot of cases, you’re probably not really missing much. Certainly nothing life changing. Or nothing that would necessarily stand out in any special way.
But then sometimes, there is one of those projects that actually delivers something really special. If you only were to actually give it a chance and sit down and read it.

I’ve heard of
Finder before. I wasn’t unfamiliar with its existence. I knew it was a comic by Carla Speed McNeil. But I didn’t really know anything about it. Certainly not enough about it to make me seek it out.
And it has been around for a quite a while. Since 1996 in fact. So it isn’t some flash in the pan project.
It is one of those project you keep hearing good things about, mostly from other comic creators or maybe the occasional comic blogger.
Not to mention it is an Eisner award winning series.
I just didn’t know enough about it to know that I really should have been reading it).

So along comes Dark Horse. They are putting together a brand new collection for the series. The first volume came out in March or April. The fact they have made it available in a reasonably priced package (616 pages for $24.95) enticed me to finally check it out. So I bought the first volume and it has been sitting on my coffee table for the last month or so (along with a handful of other unread trades/graphic novels and a small stack of comics).

I noticed the second volume was solicited in the May issue of Previews (for products that will be shipping beginning in July). So clearly I needed to make a decision as to whether I would be ordering that volume as well. In order to make that determination, I first needed to start reading volume one. That would be the best way to see if it really was worth the time and money after all.

So I started reading it last night. It is a fairly large collection (616 pages as I mentioned). This first volume appears to contain three story-arcs. The first is Sin-Eater, and it is by far the longest of the three (coming in about 380 pages). I got through about six chapters (plus one interlude), which marks Part One of the story (and comes in about 210 of the 380 pages). I wanted to keep reading, but it was past 3am at that point and I really needed to shut it down for the night.

All I can say is 'Wow'.
Okay, I can say a lot more really. I think I knew about part way through chapter four that I would definitely be ordering the second volume, no doubt about it. And maybe I knew even before that.
I'm not going to give a synopsis of the story or anything like that here. You can find more detailed reviews in other places for that if you really need it. What I will say is that this story is outstanding. It kind of jumps all over the place early on, but all the little pieces start tying together and it really makes for an amazing tapestry. The characters are all incredibly interesting and intriguing and mysterious and just all around compelling in their own individual way. Some characters (through part one of the story at least) only appear briefly while others have more significant appearances in the story, but you want to know more about every single one of them. The women in the books, music, and miscellany store, the blur men, the First Church of Huitzilopochtli, the captain at the police station, Jaeger's moving buddies, and every other minor character you run across along the way. You just know they all have some interesting tales to tell if given the spotlight. And then you've got the more prominent characters: Jaeger and Emma and her three kids. They've got even more stories, bigger stories, to tell.
The art is quite good as well. Carla Speed McNeil does a really good job with facial expressions, and that really helps to sell the characters. It brings more emotion to the images and action on the page. Whether it is someone with a smirk on their face, or a smile, or just a calm look in a moment of relaxation, it really brings the characters and story to life.

You need to buy and read this book, simple as that. It is one of those special projects that you need to give a chance because you absolutely won't regret it. I'm not going to say it will be the best $25 (plus tax or shipping) you've ever spent in your life, because I don't know what kind of amazing (or not-so-amazing) things you may have purchased in the past for $25 (plus tax or shipping). It will be a *$25 that you won't regret for a minute having spent however. As far as entertainment for your buck goes, it is going to deliver and then some. Dollar for dollar, you will be hard pressed to find this degree of quality entertainment in this bulk anywhere else.

So seriously, let me be the last person to tell you this is one of the most amazing series that you haven't yet read. Let me be the last person to tell you that before you've finally discovered it for yourself.
Go buy the book. Read it. You will be glad you did. And then maybe you can be the last person to tell someone else so they can discover that as well.


The Finder Library Volume One

Carla Speed McNeil's Finder


* Amazon.com currently has The Finder Library Volume One for $16.49 (so you don't even have to spend the full $25 to find out how great this series is)

Sunday, January 30, 2011

Zombies are not the only cannibals in comics

I realize I'm behind here since comics previews (from the February issue of Previews -- which will be in stores next week) for several of the major publishers have already been presented by the comics press, but I'm going to talk about the January issue of Previews (comics solicited for March publication), and more specifically the Marvel section of Previews.
Marvel is celebrating the 70th anniversary of Captain America's debut in March, and as such they have several comic projects slated to run. And when I say several, I mean a ridiculous number. I'm not talking about comics where Captain America typically appears (such as any of the Avengers titles), I'm talking about comics where Captain America is the titled character.
So lets have a look at that list:
Ultimate Comics Captain America No. 3 (of 4)
This mini-series obviously started a couple of months ago so it may not have been specifically planned to coincide with this 70th anniversary celebration.
Captain America No. 615.1
Marvel promotes this as -- Special POINT ONE issue. START READING with this Point One issue. This would seem to be a jumping-on point for whatever new direction the title is going. New direction you ask?
Captain America No. 616
Marvel's promotion states - It's the 70th Anniversary of Captain America's debut and we're celebrating by beginning a bold new direction. So yes, 'new direction'.
Captain America and Falcon No. 1
This is a one-shot. And yes, the title is correct. I didn't leave out the word The in front of Falcon. That is how they have it listed.
Captain America and Crossbones No. 1
Another one-shot.
Captain America and Batroc No. 1
Another one shot.
Captain America and the First Thirteen No. 1
Yet another one shot.
Captain America and the Secret Avengers No. 1
Yes, another one shot.
Captain America: Hail Hydra No. 3 (of 5)
Another mini-series that was started a few months back.
Captain America: Man Out of Time No. 5 (of 5)
Another mini-series that started several months ago.
For the sake of posterity, I should mention the price and page counts.
Ultimate Comics Captain America, Captain America: Hail Hydra, and Captain America: Man Out of Time are all listed as 32 pages for $3.99
All of the one-shots are listed as 40 pages for $3.99
Captain America No. 615.1 is 32 pages for $2.99 and Captain America No. 616 is 104 pages for $4.99
I should also mention another title debuting this month that will likely impact Captain America. Fear Itself: Prologue. This leads into the Fear Itself event which seems to be centered around the Red Skull's daughter. And given the Red Skull is probably the preeminent villain in Captain America's rogue's gallery, you have to expect Steve Rogers will have a major role in this series.
I neglected to include Captain America Comics No. 1: 70th Anniversary Edition (64 pages for $4.99) since it is a reprint collection. It might be something that interests new fans of Captain America, but if they have to make a choice between brand new material or something created decades ago, they are more likely to go with the new stuff.

So supposing one is a big Captain America fan, Marvel is dumping a lot of product on you this month. Even if you leave out Ultimate Comics Captain America (just because someone is fan of Captain America doesn't mean they will necessarily be interested in the Ultimate Comics version), that is still 9 titles prominently featuring Captain America this month (that also excludes the Fear Itself: Prologue).
NINE.
That number of comics might actually be a full haul for some readers in a given month.
Nine comics with a price tag of $35.91 (before taxes).
One might also make the assumption that a Captain America fan is likely to follow his exploits in one of the Avengers books as well, so that is another title a reader would be inclined to want to buy.
I'm not here to say it is a bad idea for Marvel to put out this many one-shots and mini-series as part of an anniversary celebration. I am saying that it would have been a lot more fan friendly if they had spread these projects out over the course of three or four months.
Instead of dropping five one-shots in a single month, how about just one in March (since they have two other mini-series already running), two in April (when the final issue of Captain America: Hail Hydra would also be hitting), and the last one-shot in May.
By dumping all of these titles in the same month, Marvel is forcing budget-conscious readers to have to make a choice as to titles they are going to buy. In essence, Marvel is cannibalizing itself. A typical Captain America fan's regular monthly reading list could look something like this: Captain America, New Avengers, Secret Avengers and/or Avengers, one of the Thor titles, one of the Iron Man titles, perhaps Spider-Man or one or two X-Men titles, or maybe one of the Hulk titles. You've got anywhere between five and ten titles there (and obviously it could be even more -- especially as mini-series come into play).
So a reader who happens to be a fan of Captain America and potentially collects between five and ten Marvel titles a month suddenly has to make a choice as to just how big a Captain America fan he is. NINE new Captain America books are hitting in March. Supposing said fan was already buying Captain America and the two mini-series that had already started, he now has to contend with a second issue of Captain American plus five one-shots and how to fit those in his budget with the other titles he usually buys.
What is the reader to do? Skip those one-shots? Decide that one or two of those Avengers books he has been reading but maybe hasn't found quite as entertaining goes to the chopping block? Or maybe it is one or two of the mutant titles that have to go. Or Spider-Man. Or perhaps the Ultimate Comics line. Or maybe those other mini-series or new titles he was considering picking up now get skipped instead.
The fact is, the budget-conscious reader has to make a cut somewhere if he really wants those Captain America titles. And if the budget-conscious Captain America fan decides he doesn't want to make the cuts and thus foregoes those Captain America titles --- then what is the point of dumping them on the market in the first place? The casual fan isn't looking to buy these titles. The core Captain America fan is the one who will be buying them. And if that fan can't afford to add five one-shots to their usual haul in a given month --- who exactly is going to be buying them?
What is the point of a publishing plan that ends up cannibalizing the rest of their line?

Tuesday, February 9, 2010

DC in March

March is tentacle porn month at DC
Only this time the targets are male characters.




JSA All-Stars No. 4




Superman No. 698




Superman: Last Stand of New Krypton No. 1




The Shield No. 7

Wednesday, September 30, 2009

Haitus

This blog is on haitus for the time being.

I'm hoping to find time to come back to it and actually give it the sort of attention I had originally intended.  If I determine that isn't possible however, then I will likely discontinue it entirely.

Monday, August 31, 2009

Winners and Losers - Disney buys Marvel

With the news that Disney is going to be purchasing Marvel Entertainment we find the landscape of the comic industry undergoing a potential major change. Marvel has already seen changes in recent years as the publishing arm of the company has shifted focus to maximizing profits by inundating the market with more and more material (a case of quantity over quality if you will) in order to meet the return expectations of their stockholders. This focus will likely become even more magnified as they will need to further increase returns in order to maintain the value of Disney’s investment and meet the expectations of Disney shareholders. While DC is part of a larger corporation (Time Warner), they haven’t been under great pressure to squeeze every possible penny out of their publication division to the degree that Marvel likely will be expected to perform. Easily the largest part of Disney’s return on their investment will be in utilizing Marvel’s properties for other media, but make no mistake that the publishing division will have to carry their weight in increasing Disney’s revenues and maintaining their stock value.

There is a lot to be excited about in this purchase, not the least of which is the potential for seeing Pixar’s handling of some of Marvel’s characters in animated projects. However, there are also a lot of questions generated by this purchase – a lot of things that can be good and a lot of things that may be bad. With Disney being such a family-oriented brand, will there be forced changed to Marvel’s presentation of their characters? Or will they treat their Marvel branch the way they do some of their movie production arms (Touchstone Pictures, Miramax Films, etc.) with the idea being the general public doesn’t directly associate those divisions with the Disney entity. Will Disney’s movie honchos have a negative impact on the portrayal of Marvel’s characters on-screen (think X-Men black leather outfits, Dr. Doom, Galactus)? Will we see a lot more animated projects (direct-to-DVD and theatrical releases) because of Disney’s deeper pockets?

The biggest loser in this merging of assets is likely to be BOOM! Studios. With their recent licensing of some of Disney’s library (The Incredibles; Cars; Monsters, Inc; Finding Nemo; Mickey Mouse and Co.), the publisher stood to make great gains in the younger reader’s demographic. As it stands now, BOOM! Studios will probably be expending a lot of resources to build a sustainable market for these projects only to have Disney move them to Marvel’s publishing division when the license has run its course. While you can’t really blame Disney for making that move (if they do) simply because they will have the means through Marvel to produce those books, it is really a shame that they (and the Marvel arm) will be reaping all the benefits of BOOM! Studio’s efforts to fully develop that market with those characters. BOOM! Studios will certainly see some short term financial gains through those publications, but then will watch all that future money go through Marvel when the licenses are not renewed. That really has to be frustrating to Ross Ritchie and Mark Waid.

It will be very interesting to see the full ramifications of this deal over the next several years. What will Marvel’s publications look like in 2015? How will movies based on Marvel characters be received with Disney making the major decisions? How much better might the animated projects be with Pixar’s involvement (or will there be a ‘dumbing down’ of the scripts to appeal to a younger audience)? In the end, who will be the biggest winners and losers? Will fans be better served when it is all said and done or will they be wishing for the days when Marvel was its own company.